“He’s all right… he won’t harm you, but you mustn’t reject him!”

Lurching uncomfortably between dreadful comedy and boring horror, there's not a great deal to recommend Legend Of The Werewolf - apart from the ever dependable presence of Peter Cushing, obviously. The man is like a shining light, amongst possibly some of the worst acting ever committed to celluloid. It comes to something when the second best performance in a film is given by Roy Castle.

Cushing is even drafted in to narrate the story, as if the makers thought that the only way to save the film was to shoehorn him in at every opportunity.

Once again it's midnight on Christmas Eve (see Hammer's classier Curse Of The Werewolf) and a woman's about to give birth in the middle of a forest. A pack of wolves descend on this pleasant family scene, rip the dad to shreds and take young 'un under their paws.

Enter Pamponi's Circus, a travelling freakshow. When one of their number shoots at a rabbit but accidentally wings a scruffy-looking Mowgli-alike, he grabs the injured boy and takes him back to camp. Pamponi decides to make "wolf boy" his star exhibit (not hard when the others are a fat bloke with a drum, a performing dog and a Russian "princess" sporting a single tattoo).

The boy (named Etoile by the circus folk) grows up and turns into David Rintoul, and it's at this point that he finally turns into a werewolf (why?!!) and rips his best mate's throat out. Fingered for the crime by the not-quite-dead-yet victim (Pamponi's a bit early with his "If you've never seen a dead 'un, you've seen one now!" line), Etoile runs away and goes to work in a zoo run by Fagin… er, Ron Moody.

This is supposed to be France, yet Moody is in full-on Cockernee geezer mode: "Start right away, clean up a bit! I'll give you a 'and… a bit later…" He even has his own catchphrase, ending every lame joke with a "Beep beep!". This is in no way annoying.

It appears that the zoo's only customers are three prostitutes from the brothel across the road, who come in every day to eat their lunch. One of them asks Moody: "It's about time you let us in for free!", to which he replies: "Oh yeah, sure… if you'll do the same for me, beep beep!"

Of course, the young and innocent Etoile immediately falls for one of the ladies, Christine, which can only spell trouble.

25 minutes in, and we're finally thrown a lifeline with the first appearance of Cushing, a police surgeon up to his elbows in gore. Strangely, his name appears to by Professor Ker-plunk. Sadly, we aren't treated to fellow police workers Sergeant Boggle and Chief Constable Buckaroo.

Etoile finds out what Christine actually does for a living, and isn't happy. He jumps through a window and attacks her latest customer (her reaction is a hoot - a huge speech delivered in a flat monotone). When she refuses his offer of marriage, Etoile begins to pick her customers off one by one, and eventually Cushing becomes interested in this apparent serial killer.

The film then meanders to a blood-soaked climax in the sewers.

Legend Of The Werewolf is tedious, boring, not frightening and rubbish on all counts. Even the much-praised werewolf make-up isn't all it's cracked up to be (halfway through his transformation, Etoile looks fatally like Jon Pertwee). There's one harsh bit (when Etoile is ordered to kill the wolves in his care at the zoo), but Rintoul's performance scuppers this supposedly touching scene. Christine actually looks like she's about to burst out laughing during the supposedly emotional final scenes. Beep beep.